My
Rating: 1.0 / 5.0
Amazon Rating: 3.90 / 5.00
Goodreads Rating: 3.29 / 5.00
I decided to read this title because
I received an ARC of the follow up book, Black Bottle, from Kristen at Fantasy Cafe.
Caliph
Howl is a student, who seems suspiciously disinterested in graduating although
he is more than competent. He spends a great deal of time having a rather
un-romantic affair with Sena, a fellow student who is also a witch and was sent
to the university to spy on him, because once Caliph leaves he will take up his
seat as High King of Stonefield in the city of Isca. However, she has a secret
mission of her own: to find the Cisrym Ta, an ancient text of powerful arcane
magics.
When he finally accepts the inevitable and returns to Isca, Caliph finds
that he must try to avoid a civil war whilst fighting to stay clear of those
who want to manipulate him for their own political gains. He also uncovers some
very disturbing secrets about how his kingdom functions. Meanwhile, a
mysterious group begins to kill people and attempts to kill Caliph himself.
This book is bursting with imagination and originality, combining
strange and unusual magic systems with steampunk technology and political
intrigue. This all sounds very promising and rather refreshing as a change form
the more typical fantasy offerings, but somehow it fails to gel into a cohesive
novel.
I had several problems with my attempt to read this book, but I think
the biggest is that there was far too little exposition for me actually
understand and follow much of the detail: if there was ever a title that really
needed a glossary and / or appendix, it is this one. There are multiple
languages on show, although we very rarely find out what the words we see
actually mean, which makes them irritating rather than interesting. I found
this particularly strange because we did get foot notes for some things, but
there needed to be many more. I am impressed at the imagination and attention
to detail of creating several languages, but I am not impressed by having no
idea what the characters mean or say using them. I found the same was true of
the magic systems and even some of the technology. I do not need a twelve page
thesis on every minor detail, but I do need some idea of how the world works.
In general, I felt that Mr Huso’s boundless imagination was more of a hindrance than an advantage to my immersion in
his world.
I had a similar problem with the language and writing style. Mr Huso
likes to use obscure words, by which I mean words that have me reaching for the
dictionary quite frequently. I am quite happy to expand my vocabulary, but when
I discover that much more common words could be used to convey exactly the same
meaning I start to get a little annoyed. I do not read fantasy novels so that I
will be impressed by the author’s use of dictionary and thesaurus, but so that
I can be transported to another world where I follow the exploits of some
interesting characters. I am fairly confident that I have a relatively large
vocabulary myself, as I do not normally need to use a dictionary whilst
reading, so I felt that the book needed some serious editing to make the
language much more accessible.
I also struggled with the plotting. I found it difficult to work out
what were important pieces of information and what was simply detail. As with
the world building, I felt as if information was being withheld from me and so
I found myself confused about what was happening. It seemed as if important
details were overlooked or excluded on purpose, so, for example, it took me
ages to realize that Caliph was going to be the High King, because I had not
read the book description before starting. There were also sections where the
plot wandered around for no apparent reason, such as when Caliph went to Sena’s
house. There were also a few ‘surprises’ or ‘twists’ that were sadly very
predictable. Again, I was left with the uncomfortable feeling that the editor
had been too overwhelmed by the imagination on display and had forgotten that a
story has to be understandable to be appreciated.
Finally, the characters left me somewhat cold, especially Caliph. Sena
was much more ‘real’ and better drawn, but even she seemed to follow no
particular internal logic, which I always find amazingly annoying. Caliph does
not want to be King and yet does not take the obvious way out by delegating to
those men who had been running his military and other branches of government
before he graduated. This did not make any sense to me and simply made him a
really bad king. There were several interesting secondary characters, but they
were not developed at all and were often forgotten in a most disappointing
fashion.
In short, about half way through I decided that this title was far too
much work for the minimal enjoyment that I was getting from it and gave up. I
just wish that along with all the imagination Mr Huso had displayed an equal
flare for communication. I needed to be drawn into his world and carried along
by the plot, not left confused and bewildered. Obviously I will not be attempting Black Bottle.
Other Reviews I Recommend:
I also gave up on this one around the halfway point. So many people love it that I'm always relieved to see someone else have a similar reaction to it to the one I had! There were some interesting ideas, but I also found it pretty unreadable and it was taking me FOREVER to make any progress in it so I finally gave up.
ReplyDeleteI saw that you had DNF'd it, so I didn't feel quite so bad about giving up on it, because there certainly were a lot of high ratings on Goodreads.
ReplyDeleteI really wish that he could have communicated his ideas more successfully, because he obviously has a great imagination . . .