My Rating: 4.5 / 5.0
Amazon Rating: 4.60 / 5.00
Goodreads Rating: 4.19 / 5.00
When Maggie Black was a student she fell in love with
the writings of reclusive, but acclaimed, poet Davis Cooper. The pair exchanged
letters for many years but never met in person. As Copper fell further and
further in to alcoholism after the death of his young lover, artist Anna
Naverra, Maggie gave up writing poetry so that she could support her husband as
he built his music career. Unwilling to accept his infidelity she divorced him
several years ago, although he still tries to control her life. She is about to
sell their house and move away when fate intervenes: Cooper dies in mysterious
circumstances and leaves his house and all its contents to her.
Maggie moves to Cooper’s home in a canyon Tucson,
Arizona, where she meets his friends, reads his papers and experiences the
desert that was such an inspiration to him. However, she is surprised to
discover that the land and its inhabitants are not as simple as they seem and
she gradually uncovers the wild spirits that live there. As she becomes more at
home in the desert she begins to see what really lives there and comes to
understand how Cooper could have drowned in the middle of a dry creek bed.
I chose this book as the Folklore title for the Once Upon A Time VI Challenge because I had seen some reviews of it that suggested
that it was an interesting choice for the category.
This is one of those books where are I need to be
purposefully careful about the magical elements that inhabit its pages because
I do not want to spoil the surprises that it contains. Some books are so much
better if you can explore them without too much knowledge of what to expect,
and this is definitely one where that sense of wonder needs to unfold
naturally.
The beginning of the book was somewhat disorientating
as we are presented with a Prologue with several vignettes from the night of
Cooper’s death. After this, the story is mostly laid out from Maggie’s point of
view, although we do follow several other characters’ viewpoints as well. We
follow Maggie as she encounters the various humans and spirits in the area,
with the other perspectives adding information or offering tantalizing hints of
what is really happening. Maggie is a well-drawn, likeable character with a
great deal of sense and empathy that make her an intriguing protagonist. The
other characters are interesting and fit well into the roles that they fulfill,
although few of them are explored in very much detail as we concentrate on
Maggie and her story.
The story unwinds elegantly and slowly, with
suggestions and hints carefully placed so that there are few true surprises as
the truth is revealed. However, this adds to the feeling of revelation and
growing understanding that we share with Maggie and it works very well. We
usually ‘see’ things before Maggie, as if our eyes are being opened to the
magic around her slightly before hers, or she is seeing the same things as us
but her mind is discounting them as impossible. This makes the magic seem real
and solid as if the curtain that normally hides it is gradually fading until we
see the total truth.
The world that we discover is built upon the ancient
mythologies of the Mexicans, Celts and Native Americans, so it is very grounded
in nature. Grace at Books Without Any Pictures feels that American culture does
not have this type of mythology and so appreciates that this book creates one. This
is not the magic of Harry Potter, but the inherent power of the land itself,
with aspects of nature personified and able to act to influence the
environment. There is a timeless quality to these ‘spirits’ that results in
them being totally different to us, with concerns and morals that we cannot
comprehend. This ‘otherness’ is captured beautifully and resonates well with
the indifferent majesty of the natural world. The desert is inspiring and breath-taking,
but it is also dangerous and can lead to insanity and even death. I like how
the desert acts as a muse, inspiring so many people to creative and artistic
expression, although they all react in different ways.
This book and Charles de Lint's novels are some of my all-time favorites. I like the idea of a North American mythology, and we don't really have that because we're such a new country. The closest we get are stories like Paul Bunyan and Johnny Appleseed, which don't really have the same draw as the spirits that we see here. :)
ReplyDeleteI will be adding Charles de Lint to my TBR pile! I believe Terri Windling did the artwork for some of them? :)
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